Atwoods Theory of Canadian Sho

Atwoods Theory of Canadian Short Stories Marg aret Atwood detects that in most Canadian stories there seems to be some(prenominal) sort of victim and their pursual for survival. In the stories The Wedding Gift, The Butterfly Ward, and Skald, we find iii of her 4 types of victims. First there are originative non-victims who are advance at non being victims, secondly, there are victims who notice the item that they are victims but who blame their situations on something they cannot control, similar fate. hold out of only there are those who fare that they are victims and who see to better their situations whether they are victorious or not. In the history The Wedding Gift by Thomas Raddall, we construe a young woman named Kezia Barnes. She is portrayed, by Atwoods theory, as a creative non-victim. She cleverly uses her situations to her advantage. A noreaster(15) snow act allows her to forget or so Mr. Barclays wedding gift for Mr. Hathaway.(15) which just h appens to be a tinderbox. She uses the crush as modestness to bundle up with Mr. Mears so as to stay warm. Kezia never wants to marry Mr. Hathaway, so after the thrust clears she proclaims to Mr. Mears that shell have to say [she] bundled with [Mr. Mears] in a hut in the woods.(21), and of course bundle was an invention of the devil.(22). Therefore Kezia cannot declare her roll up with Mr. Mears to Mr. Barclay or Mr. Hathaway for fear of being punished. Kezia then offers herself as espouse woman to Mr. Mears, thus getting her out of an undesired wedlock and no longer being a victim to that arrangement. She demonstrates an marvelous numerate of intelligence in her situation. The Butterfly Ward by Margaret Gibson introduces the ratifier to Kira, a patient of the Neurological Ward in a Toronto hospital. She is the type of victim who blames her mental illness on something else, the ameba(104). She claims that it is nourishing itself on what they call [her] brain.(104), it changes shape(105) and this is the reaso! n Kira gives for the doctors inability to locate the amoeba on the bloated-brain scan(105). It is kindred she is unable or unwilling to take responsibility into her take in hands, The amoeba. Yes, that is what it is.(104). Kira does not understand her illness so she puts the weight of it all on the amoeba that is eating her brain. Alma, the protagonist, in Skald by W.D Valgardson, is considered a victim because of her want of independence but she demontrates her willingness and capability to fight her situation.

To belabor this child-like leave out of independence, she decides to buy a thick-bodied and stur dy(61) whelp so as to have a responsibility of her own. Alma defies secondary Boys, her husband, when he endlessly [warns] her against talking to strangers and against wandering about the countryside by herself(68). She ignores him and goes off on her excursions despite his warnings and protests. Alma decides to make decisions for herself instead of continuously relying on others. At the conclusion of this story, Alma takes responsibility for Skalds sickness, putting him down herself, as though in a way intercommunicate for his forgiveness, Couldnt you be fazed to get him his shots? Alma cringed at the accusation. I didnt know(72), and also because as she says It was [her] dog.(73). Atwoods theory, so far, holds true in those trinity short stories in proving that most Canadian literature involves some sort of victim and their willingness or unwillingness to solve their situations. These iii stories show three of her four types of victims and their quests for survival. If you want to ! get a full essay, put it on our website: OrderCustomPaper.com

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