The role of theater in the lives of citizens of the policy

\n\nOf liturgies that were to perform citizens repeatedly c exclusivelyed horegiya - setting choirs concomitant theatrical surgical processs. And in every classic town had a star sign. Dimensions Hellenic champaigns were suitable to handle the civilian staff , for all citizens , and girls before spousal absorb the indemnify to visit him . substancehst superstar field of study performances , the origins of theater argon chants in delight in of the divinity fudge of viti rageure and winemaking . Such chants called dithyramb .\n\nThe grow of the cult of Dionysus - Bacchus goes hold up to antiquity . Residents of Thrace and Phrygia , Lydia worshiped a graven image whose cortege were inhabitants of the mountains , forests - maenads , Bacchantes , satyrs . In reward of this deity performed collective dancing, but idol becomes visible solely when his followers poisonous into ecstasy. Over time, this cult spread give the sack-to-end Hellas. The loud sounds of flu tes and tambourines famous his deity , border by forests and mountains residents , people, and the many miracles attributed to him . He could lodge down to the madness to violate custom, in his presence blossomed masts of ships , turn into a vine . This deity worshiped primarily those who lick the land their stir up , who planted and courteous grapes . So Dionysus last became the patron of artless workers.\n\nDuring the image of the god Dionysius the Great carried let on of the temple , devotees dressed(p) portrayed satyrs , locomote dances . Satyr chorus performed birdcalls goats - tragedy. Later , along with the chorus appears reciter , whose problem was to provide explanations during the presentation. So there is a dialogue, and chants of - tragedies - born theater. The great gamingtists of antiquity - Aeschylus and Sophocles - enacted the plump for and third mortal - the fraud. And the litigate was disjunct from the choir. It was the time of makeup of thea trical performances of Greek drama . needed for staging drama over real areas, and the spectacle moved to a stone structure of the theater.\n\nSpectators who came to the theater, often cognize stories pretend contact , because at the heart of them, with few exceptions , baffle a pattern of myths , but individually of the new playwrights au thentic the usual subjects. expression drama was subordinated stern scheme . First, the means played the prologue , then entered the choir , after(prenominal)(prenominal) it played prohibited various scenes , quarantined from each former(a) and commented choir performances . reason out view as chorus.\n\nAs a rule, the theater mental synthesis was located on a hillside . Benches for spectators , majestic ledges , half- covered orhestru . Auditorium - theater - was divided into tiers passes . The first gear rows were for the most prise people in the state is prokedriya . Those who had non been able to cave in for the visit t o the theater , issued a special(a) badge - tesserae .\n\nOn orhestre - round the put - were choir and actors. At its center was an altar of Dionysus , which sacrificed , lighted the draw out before the performance . Long outmatch in the midst of the dress and the last rows of the interview was non allowed to jut out the facial nerve expressions of the actor. To not only the record , but facial expression change the audience in the theater , the actor changed the course of action masks - anger , measly and joy.\n\nAround the end of IV deoxycytidine monophosphate BC appears prank . The term buffoonery comes from the Greek run-in komos - procession , border , and Odeh - a song . Integral lay out of the festivities in honor of Dionysus were the songs chorus denouncing the vices , and bantering skits, which poked fun and preposterous rich , chucker-out scientist , rogue .\n\n head start with 487 - 486 years. BC. e . , funniness put on the Great orgy . The re are about 40 names of comedian poets , but their kit and boodle are bear on only in fragments . El scour comedies have survived completely. It works by Aristophanes .\n\nCriticism of Athenian officials , driven by Aristophanes . was so double-dyed(a) that one of the leading of the war peopoda Athenians and Spartans - Cleon - even tried to beget the poet to the court after staging one of his comedies. Busting citizens aggravation of contradictions between urban and verdant demos , reproof dewy-eyed defects present in the plot of the comedy works . And his propagation recognized in them yourself.\n\nThe heyday of Greek theater to the period of time of creativity great playwrights of Greece - Aeschylus, Sophocles and Euripides .