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Thursday, March 28, 2019

Identity Vs. Outside Forces Essay -- Literary Analysis

The existential drama, No divergence by dung bee Paul Sartre, and the absurd drama, Rosencrantz and Guildenstern are bloodless by Tom Stoppard both(prenominal) portray characters with an ambiguous sense of individualism. While the characters in No Exit delude themselves with respect to identity and shirk responsibility for their identity-making choices, the characters in Rosencrantz and Guildenstern are Dead are primarily controlled by outside forces that confuse and restore their sense of identity. Both these authors do a fine job of picture the relationship between identity and the outside forces The only character in either play that exhibits a true sense of identity is No Exits Inez. by Comparing and contrasting the identites of the characters we can see how identity unfolds admist oustanding forces.The identity of a person is created by how one precieves themselves to other people. With respect to Garcin of No Exit, this is very evident. He claims Im no talker, I dont m ove much in fact Im a very peacful sort of fellow(Satre 9) even though speaks and voices his opinion often. Garcin becomes more comfortable when he begins to realize his identity, Im no gentleman, and I have no compunction about striking a muliebrity. Thomas Whitaker believes Garcin...finally sees that one who identitfies conciousness with any role or ideal mustiness submit to the unpredictable validating judgement of others(par. 4). Garcins identity becomes clear as soon as he enters the room when talking to the valet I tell you, I regret no social function(Satre 24). This is also evidence that Garcin thinks of himself as a hero. Garcins deludes himself by convincing himself that he did do the right thing I shant be sorry for myself, Ill face the situation, as I verbalize just n... ...oing anything, or nothing at all.Works CitedBerlin, Normand. Rosencrantz and Guildenstern argon Dead Theatre of Critism. Modern Drama 16.3 & 4(Dec. 1973) 269-277. Rpt. in Contemorary Literary Crit ism. Ed. Roger Matuz and Cathy Falk. Vol. 63, Detroit Gale Research, 1991. Literature imaginativeness Center. Web. 1 Dec. 2010.Sartre, Jean-Paul. No Exit. New York Vintage Books, 1947.Stoppard, Tom. Rosencrantz and Guildenstern Are Dead. London Faber and Faber Limited, 1967.The Fools of Rosencrantz and Guildenstern Are Dead. Free Essays 29 November 2010Whitaker, Thomas R. Playing Hell. The Yearbook of English Studies 9(1979) 167-187. Rpt. in Contemorary Literary Critism. Ed. Daniel G. Marowski and Roger Matuz. Vol. 52. Detriot Gale Research, 1989. Literature Resource Center. Web. 12 Dec. 2010.

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