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Monday, February 3, 2014

The Red Room

‘‘I am not that cleaning woman’’ and ‘‘ surreptitious code’s Changed’’ are both protest poems. apologise what the protests are and look how each poem get tos its arguments. ‘‘I am not that woman’’ by Kishwar Naheed and ‘‘ zilch’s Changed’’ by Tatumkhulu Afrika are protesting intimately inequality, discrimination and sexism. Kishwar Naheed was born in India in 1940 and is whizz of the better known feminists poets of Pakistan. Naheed moved to Lahore in Pakistan during 1947 due to the partition of the sub-continent. She explained her piece of music as an look for to redefine the man-woman relationship. Her important protests in ‘‘I am not that woman’’ is how woman are hard-boiled in her gloss and unhappy approximately the sexism prevalent in her culture. Tatumkhulu Afrika was born in Egypt in 1920 but was fostered in reciprocal ohm Africa at an earliest age. His father was an Arab and his mother was Turkish. He participated in the uprising against apartheid which was about clarification of skin colour of nation in z bingle 6. In 1987, Afrika was arrested for ‘terrorism’ and was banned direct writing and speech in public places for five years. His main protest in ‘‘Nothing’s Changed’’ is the discrimination and segregation between baleful and white people during apartheid which he feels simmer down exists in same form today. In this essay, I pass on be comparing and contrasting both poems on how they puff their arguments. In the first stanza, the mood is neutral in ‘‘Nothing’s Changed’’. It starts off about stones clicking under he’s heels and then it begins describing he’s surroundings. The structure of the first stanza is that it is one long sentence. Also it is in the present tense. The effect this has is that it seems t hat the poet is re-living his familiarity ! as he writes and it feels as if we are taking the pilgrims journey with...If you want to get a full essay, order it on our website: OrderCustomPaper.com

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